Semantic Parallelism in Love Poetry in the Umayyad Era, Analytical Study - Selected Models

Abstract

This study, was named with (Semantic Parallelism in love Poetry in the Umayyad Era, Analytical Study - Selected Models-) tries to investigate semantic parallelism as one of the stylistic features in love poetry in the Umayyad era, where it sheds light through this technique on some of the technical aspects inherent in the content of the lyrical text and exploring its depths, drawing on the opinions of some Western critics, ancient Arab scholars and contemporary Arab researchers. The study examined the nature of semantic parallelism and its importance in literary and critical studies, and then went through the application of the topic of semantic parallelism to selected models of love poetry in the Umayyad era for a number of stallion poets, through two main aspects: synonymous parallelism and contralateral or congruent parallelism, in order to reveal The effectiveness of parallelism in supplementing the poetry with a number of artistic and moral characteristics and stimulating the recipient, in addition to creating a kind of moral and verbal cohesion in the creative poetic text. The study also dealt with semantic parallelism through all types of love Poetry in that period, and in some cases it drew illustrative charts for the purpose of clarifying the idea and ease of acceptance by the recipient.