Aesthetic
2 articles filed under this keyword.
Aesthetic of Facial Allusions in the Poetries of (Jamal Sharbazhery and E H B)
Aso Omer Mustafa, Zrar Sardar Muhammad
Aesthetic of Facial Allusions in the Poetries of (Jamal Sharbazhery and E H B)) The process of communication and transferring knowledge via language allusion cannot be successful alone rather it needs non-linguistic reference to develop the communication. This significant role is the same in literature field as well. One of the non-linguistic reference is facial expression, so interpreting and analyzing any gesture and facial expression have its meaning and message. Though, it has a great role in literature particularly in poetical texts. Embodiment of facial gestures in poetry will contribute the shortness, purifying and aesthetic of the poetry which is the historical characteristics of poetry. Both poets ( Jamal Sharbazhery and E H B) embioment the facial expressions in their poetries successfully, so they were significant basics of aesthetics of the poetries. In most cases the gestures and facial expressions more attracts both poets and they were under the influence of gestures and facial expressions.
Volume 8 · Issue 1 · March 2021Language Deflected Aesthetics in the Poetry of (General Love) Muhammed Kurdo
Aso Omer Mustafa
Aesthetic is main sort of poetry, during the history the poems have focused on it and in term of concrete this they have tried a lot. Some of the detractors to evaluate the poetry texts they concrete the aesthetic. in this aspect our paper (Deflected aesthetics in the poetry of general love Muhammed Kurdo) it will attempt to illustrate those language deflected that have been concreted in his poetries. the research consists of three pivots. The first pivot (poetry´s deflected aesthetic) in general, it describes the concept of aesthetic, poetry, language, deflection and their relation to the construction of text aesthetic. The second pivot (heading aesthetic) this part describe the title aesthetic that have been concreted thru deflect. The third pivot (language deflected aesthetic) language deflected and those aesthetic dimensions in the texts have been described. the result demonstrated in some points with the references.