August Strindberg

The Influence of Modern Theater on the Directing Process in the Play "Father"

Goran Ali Karim

In recent decades, modern theater in the Kurdistan Region has seen significant progress, particularly due to technological advancements in theater, such as stage design, the creation of new sets, and access to theatrical resources. It is evident that Kurdish theater directors have managed to utilize modern theatrical tools and work with them effectively. The results of these developments in recent years have directly contributed to the emergence of a new horizon for directors, writers, actors, and other theater professionals, fostering a creative atmosphere and inspiring advanced artistry. The objective of this research is to examine the effects of modern theater on the directing process in the play Father, particularly the influence of modern theater on Kurdish theater directors. To achieve this goal, the study employs a descriptive-analytical methodology. The researcher has focused on the theatrical performance Father, written by August Strindberg and directed by Sadiq Aziz. This play was selected because the researcher has watched it multiple times and had access to its video recordings. Additionally, based on the researcher’s analysis, it is evident that the director adhered to the principles of modern theater in terms of text selection, stage treatment, and the production of meaning within the performance. In this study, the researcher—drawing from their expertise in theater direction—aims to conduct a descriptive-analytical examination of the play Father, directed by artist Sadiq Aziz. Through this research, the goal is to familiarize Kurdish theater practitioners with the influence of modern theatrical art on Kurdish theater directors. At the same time, the study seeks to reveal the capabilities and vision of Kurdish theater directors within the framework of modern theater, as well as their ability to produce innovative work in Kurdish theater.