Beauty
3 articles filed under this keyword.
Self-confidence level among students of Raparin University who have undergone cosmetic surgery
Nawzad Ali Awrahman, Hevar Ali Abubakr, Soma Ismail Khader, Zhiwar Sabah Ahmad
The problem of the research, when the level of (Self-confidence) is High, the individual enjoys good mental and somatic health, but, when the level of Self-confidence is less, it may lead to a lack of logical analysis or challenge and control and create difficulties in decision-making as a result of weak confidence in the information obtained in a negative way on the individual's body and facial image. The importance of self-confidence as a personality variable plays an influential role in the individual and Society in the face of the challenges in individual life that continue to be optimistic and positive. The aimes of this study are to determine the level of self-confidence among university students who have undergone cosmetic surgery. Determining the differences in self-confidence levels among university student who have undergone cosmetic surgery according to gender (male-female) and specialty (science-humanities). The researchers took the descriptive method approach. The research community consisted of 60 students of Raparin University who underwent cosmetic surgery. The sample was randomly selected, including 50 students, including 17 males and 33 females in University of Raparin for the academic year (2019-2020) in the morning. The researchers prepared a scale consisting of (20) item to measure the level of self-confidence among university students who have undergone cosmetic surgery. The results showed statistically levels of high in Self-Confidence. There was no statistically significant difference in self-confidence by gender and specialty, but the specialty variable in the sample itself showed differences in favor of the humanities
Volume 10 · Issue 2 · June 2023Aesthetic of Facial Allusions in the Poetries of (Jamal Sharbazhery and E H B)
Aso Omer Mustafa, Zrar Sardar Muhammad
Aesthetic of Facial Allusions in the Poetries of (Jamal Sharbazhery and E H B)) The process of communication and transferring knowledge via language allusion cannot be successful alone rather it needs non-linguistic reference to develop the communication. This significant role is the same in literature field as well. One of the non-linguistic reference is facial expression, so interpreting and analyzing any gesture and facial expression have its meaning and message. Though, it has a great role in literature particularly in poetical texts. Embodiment of facial gestures in poetry will contribute the shortness, purifying and aesthetic of the poetry which is the historical characteristics of poetry. Both poets ( Jamal Sharbazhery and E H B) embioment the facial expressions in their poetries successfully, so they were significant basics of aesthetics of the poetries. In most cases the gestures and facial expressions more attracts both poets and they were under the influence of gestures and facial expressions.
Volume 8 · Issue 1 · March 2021Language Deflected Aesthetics in the Poetry of (General Love) Muhammed Kurdo
Aso Omer Mustafa
Aesthetic is main sort of poetry, during the history the poems have focused on it and in term of concrete this they have tried a lot. Some of the detractors to evaluate the poetry texts they concrete the aesthetic. in this aspect our paper (Deflected aesthetics in the poetry of general love Muhammed Kurdo) it will attempt to illustrate those language deflected that have been concreted in his poetries. the research consists of three pivots. The first pivot (poetry´s deflected aesthetic) in general, it describes the concept of aesthetic, poetry, language, deflection and their relation to the construction of text aesthetic. The second pivot (heading aesthetic) this part describe the title aesthetic that have been concreted thru deflect. The third pivot (language deflected aesthetic) language deflected and those aesthetic dimensions in the texts have been described. the result demonstrated in some points with the references.