Composed Song
2 articles filed under this keyword.
The Concept of Heritage and Composed Songs and Their Reflection as An Instrumental Method in Kurdish Music.
Bekas Abdulqader Abdal, Amanj Ghazi Shaker
Heritage and composed songs are two fundamental bases of the Kurdish structural music, which differ in their foundation, characteristics, and radiance. This study is based on a doctoral dissertation entitled “The Vitalization of Kurdish Folk, National, and Composed Songs in the Practical Methodology of the Qanun Instrument.” It aims to analyze the melodic structures and features of these types of songs, and it also shows their usage in the practical methodology of the Qanun instrument. In addition, it investigates the distinction between these kinds of songs. The researcher selects three representative examples from original Kurdish music for each kind, including heritage, national, and composed songs, to shed light on the impact of the culture and society on the selected songs. It also emphasizes the importance of incorporating Kurdish folk, national, and composed songs into an academic format that preserves their richness, history, and identity. Moreover, it concentrates on the inventions and abilities of Kurdish musicians and preserves their original Kurdish music. Furthermore, it helps people to distinguish between different moods, rhythms, and forms of different Kurdistan regions and distance them from the influences of foreign music, which is crucial for maintaining the authenticity of Kurdish musical identity across generations and geographic areas.
Volume 11 · Issue 4 · August 2024Music Arrangement in Kurdish songs in Suleimani
Rawand kamal Dilshad, Ehsan Shakir Zalzala, Dilshad Mustafa Rahim
Performed music is an important and unique part of the world's music center and its different situations are analyzed through several scientific theories. The Kurdish Music Center has its own efforts in the field of composing and distributing music and can be classified into different categories and by resorting to these scientific principles can be treated scientifically. Since the beginning of its establishment, Sulaymaniyah has been a city full of artistic products and various innovations. Therefore, working on this entity is an important task of scientific research and excavating the history of this invention requires more scientific research, especially since the state of scientific research in the field of music and analysis of production situations is not at the necessary level. This research is an examination of the musical works that have been distributed in the city of Suleimani. It also classifies and distinguishes works in terms of stage and style. Along with these is the analysis of each of the songs sampled by the researcher in terms of form, harmony, distribution of words and use of musical instruments