contemporary
3 articles filed under this keyword.
The Deconstruction of the Postmodernism Architecture Art
Awat Saeed Fatah
This Research consists of four main parts. The first parts of the research are devoted to the research problem, the importance of the research, the objectives of the research, and the limitations of (time, objective, place), and ended with the defining of terms. As for the second part, which is the theoretical framework for the research, it consists of three sections. The first section discussed the historical background of the emergence of the deconstruction art of architecture. The second section discusses the actions, motives, and causes of the deconstruction strategy for architecture. The third section explores the emergence of Symantec’s deconstruction architecture post-modernist. As the third part of the research, it was devoted to implementation procedures, which are (the research community, the research sample and analysis, the research objectives, and tools for collecting information), and in the fourth part of the research, were presented the results of the research in several points, with suggestions, recommendations, and sources at the end of the research.
Volume 12 · Issue 4 · August 2025Intellectual and Structural Dimensions in Contemporary Ceramic Murals in The Kurdistan Region
Salman Kaikhasraw Fatah, Naeema Mohammed Abdula
This research is dedicated to the study of the different dimensions and constructs of the contemporary ceramic murals in the Kurdistan Region، which consists of four parts، the first part is the topics related to the introductory part of the research. Each of the research problems، importance of research، research goals، and research boundaries is presented. The short-term problem of the research based on these assumptions 1-Are the different dimensions and constructs of the contemporary ceramic murals in the Kurdistan Region working with the kurdish artists? 2- Is the ability of contemporary ceramic murals in the Kurdistan Region compared to the world's mural products in terms of aesthetic thought show the appearance of art? With the aim of introducing the different and constructive dimensions of contemporary ceramic murals in the Kurdistan Region. Chapter two is the framework of the research theory، which discusses the history of the emergence of ceramic mural art in the civilization of Mesopotamia and ancient Egypt، and the art of ceramic murals in the Islamic world as well as the techniques and styles of contemporary ceramic murals. The third chapter of the researchers took samples of the artworks of artists from the Kurdistan Region who worked on ceramic murals، presented in scientific methods and methods. Chapter four discusses the results، conclusions، recommendations and references.
Volume 12 · Issue 1 · February 2025The Mechanism of Receptivity in Kurdish Contemporary Art
Venus Esmail Baker, Hayfa Ahmad Mohammed, Sanger Qader Sheikh Mohammed
This research aims to identify the theory of the reception mechanism in contemporary Kurdish plastic art. As well as divided into two chapters. The first chapter includes the research problem, its importance, objectives, and limits. The research problem centred on how to use the concepts of reception theory in the artworks of the field of Kurdish plastic art. Contemporary, with a focus on the transit project as a model. The second chapter has been devoted to the theoretical framework that includes the concept of reception theory and its origins, in addition to an explanation of the concept of the recipient put forward by Jauss and Izer. The theory of reception in contemporary plastic arts has also been reviewed, and a brief overview of Kurdish plastic art, especially the transit project, has been presented. Artistic, by some Kurdish artists. Then the research community was identified and sampled, and three random artworks were chosen and analysed using the descriptive-analytical method. The results of the research came according to the interpretation of the reception theory in Kurdish plastic artwork, which includes several important points. Namely, the change in the reception mechanism in analysing and reading the visual artistic text, the increase in the importance of boldness as a feature in the visual artistic text for the recipient at various artistic, intellectual, and social levels, and the presence of a state of collision and astonishment for the recipient in contemporary plastic art that deviates from the usual and expected Based on the results reached in the research, some recommendations that serve those results were proposed.