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2 articles filed under this keyword.
Patterns of Conversion in the Nominal Sentence in the Diwan of Ali Mahmoud Taha - A grammatical study
Kawakb Kareem Gahfoor, Kubra Jalil Hussein
This study seeks to reveal the patterns and images that the nominal sentence came to in the Diwan, showing the moral effect caused by the multiplicity of patterns. The method of transcription, and the study dealt with grammatical patterns as the ancient grammarians dealt with them, not as the modern transformationalists, for the ancient grammarians referred to the deep structure not by its term, but by its concept, which is the word (origin) or (analogy).
Volume 10 · Issue 2 · June 2023Renewing the Structure of Mustazad in Goran's poems
Sarbaz Majeed Khoshnaw, Yadgar Rasool Hamadamin
Mustazad as a poetic model, is not new in Kurdish literature. There are many classic Kurdish poets who wrote poems in the form of Al-Mustazad. Mullah Al-Jaziri was the first to organize a poetic in Mustazad in the history of Kurdish literature. But in the stage of renewal of Kurdish poetry after the First World War, Kurdish poets contributed to renewing the structure of the meter in terms of weight and rhymes and the formation of the different composition in terms of number and arrangement of verses and their component parts. The title of the research (Renewing the Structure of Mustazad in Goran's poems) is an attempt to show the characteristics of the techniques of renewal and creativity of Goran the poet, and renew the structure of Al-Mustazad at this stage. There is a clear gap in academic studies of literary theory of comparison to the creativity of Kurdish poets in this field. There are a number of studies that describe Mustazad among other poetic templates, but there is no specialized research in this poetic model to study the renewal techniques and creative attempts of the Kurdish poet. The research consists of two chapters: the first chapter is concerned with defining Mustazad and its techniques in both the classical and modern stages, while the second chapter is concerned with Goran's creative attempts in this regard. Through this research, the researcher reached to new results on which this poetic form was based.