Mustazad
2 articles filed under this keyword.
Renewing the Structure of Mustazad in Goran's poems
Sarbaz Majeed Khoshnaw, Yadgar Rasool Hamadamin
Mustazad as a poetic model, is not new in Kurdish literature. There are many classic Kurdish poets who wrote poems in the form of Al-Mustazad. Mullah Al-Jaziri was the first to organize a poetic in Mustazad in the history of Kurdish literature. But in the stage of renewal of Kurdish poetry after the First World War, Kurdish poets contributed to renewing the structure of the meter in terms of weight and rhymes and the formation of the different composition in terms of number and arrangement of verses and their component parts. The title of the research (Renewing the Structure of Mustazad in Goran's poems) is an attempt to show the characteristics of the techniques of renewal and creativity of Goran the poet, and renew the structure of Al-Mustazad at this stage. There is a clear gap in academic studies of literary theory of comparison to the creativity of Kurdish poets in this field. There are a number of studies that describe Mustazad among other poetic templates, but there is no specialized research in this poetic model to study the renewal techniques and creative attempts of the Kurdish poet. The research consists of two chapters: the first chapter is concerned with defining Mustazad and its techniques in both the classical and modern stages, while the second chapter is concerned with Goran's creative attempts in this regard. Through this research, the researcher reached to new results on which this poetic form was based.
Volume 7 · Issue 1 · January 2020Nali’s Kurdish poetic rhymes
Yadgar Rasool Hamad Ameen
This research is a descriptive and analyzation to Nali’s rhymes under the title “Nali’s Kurdish poetic rhymes”. It is an attempt to exhibit how Nali used rhymes in terms of sounds and words. This research comprises of two sections along with a prelude. In the prelude section, we shed light on terminology and concepts of rhymes in Nali’s poems. We have also elaborated on Ghazal, Qasida, Mustazad and Tak. In the first section, we have explained Nali’s rhymes in details along with forms of Rawi, before and after Rawi. In the second section, Nali’s poems have been analysed on the levels of words and in terms of Radif and Hajib. In the end, we have set a number of examples to arrive on conclusion to this research.