Symbols
3 articles filed under this keyword.
The Director's Role in Translating Symbols and Signs From The Text into Cinematic Imagery
Adnan Osman Ali, Zhilwan Tahir Bapir
We observe that cinema is in a constant state of change and development, both in terms of techniques and artistic form. It produces diverse films and outputs in terms of content and various complex models (dual propositions). Undoubtedly, all aspects and sections of film production have been influenced by the developments that occurred during the technological revolution. What draws attention is that viewers do not easily notice the efforts of the "unknown soldier" in the entire process—the person who strives with all their energy to produce a good film. This unknown soldier is the director, who is credited with the film's success and bears the responsibility for its artistic and technical aspects. The director’s understanding, cultural level, intelligence, and artistic experience manifest their impact and signature in the film's content. One of their primary duties is to translate the script, this written text, into a language of images, transforming static characters into vibrant individuals that come to life before our eyes, conveying the events and conflicts from the pages to the camera. The director bears the responsibility for these transformations, turning words, sentences, and scenes into imagination and visualization, which should be present in all films, regardless of their levels. Without imagination and visualization, there can be no event. Thus, the director is the backbone of producing a good and distinguished film, especially in Kurdish cinema, which has undergone many changes and developments in both artistic and technical aspects. However, in terms of creating images and imagination, this does not progress in parallel with the ongoing developments. Therefore, in this research, we aim to shed light on this important and sensitive topic.
Volume 12 · Issue 3 · June 2025The Artistic Creativity of Language in Salm's Qasidas
Talib Abubaker Tahir, Othman Hamad Dashty
The research has mentioned the construction of language and its importance in transmitting purpose, Al’s indicated that without language meanings and purpose can’t be transferred to others. Then it is mentioned how Salem has described language of Qasida and the difference with the ghazal language Salm’s dictionary of Qasida one after one with its allusion in it, which each of them include a different sort of hint,has been shown.in one side, Salm’s religious Qasida s own special dictionary and linguistic characters that are symbols and his linguistic dictionary is linked to the religious subjects or patriotically that the dictionary of patriotic ones are mentioning wars, distruction of bloodshed and conquering of Kurdistan’s conquerer and the name of places, noble people,words and symbols are pure Kurdish and his describing Qasida indicate Baban leader’s bravery and knighthood or the greatness of Islam prophet, in other side، his social Qasida show good behaviors and bad habits and the words and allusions are in this circumstance. generally, the culture and language of the Qasida and the symbols in the Qasida are different according to the theme and purpose for which they are used.This tells us the fact that the dictionary (culture) of language and poetic symbols differ not only from poet to poet, but also from poet’s poems to another. Language of ghazal differ from Qasida and language of Qasida is different from hajoo and it’s purpose even from a Qasida to another according to the content.
Volume 8 · Issue 2 · June 2021Elements of Short Poems by (Mudrik Zhali)
Ahmed Mahmood Abdullah, Hawshen Slewa Eessa
This research is entitled: ( Elements of Short Poems by (Mudrik Zhali)) .It consists of third sections, which are an attempt to define and use the content, form and Elements value of poetry. It has several concepts in contemporary Kurdish poetry, especially among contemporary poets in the last century in (Koya) city. This present research has scientific significance and value in the field of regeneration and highlighting the poet's ability and talent in this field. For this research, we used an analytical and descriptive method. It consists of third topics: The first topic: Experience of the poet (Mudrik Zhali).. The concept of haiku. The second topic: Elements language, poetic music, poetic image, and symbols in poet’s poetry. The third topic: Reading poetry of (The Eves of the Memories of the Impossible Love).With abstracts of the research in Arabic and English and a list of references.