The Hidden Cultural Structures in Nizar Qabbani’s Poetry

Abstract

Literature in general and poetry in particular, like any human activity, performs a function or an act. Critics finds such acts changing. In this scope, Nzar Qabanys poem have the same objective. There are imaginations, feelings and dreams behind his lines and words. However, this has an explicit direct or indirect discourse in its structure. Poetry for Nzar Qabany is a cultural discourse so we can say that talking about it has a fundamental function in the act of interpretation. What we mean by the natural function relationships, as the relationships that critics have predicted between the literary text and its recipient, are those that the literary text is not only a symbol or a gesture, but also has content and contradicts the aspects of human life, showing an honest example for the world. The first task that emerges from this hidden dimension is to reveal the essence and thoughts or concepts behind the expressions and lines of the invented text, in such a way that it tackles some concepts in the language of discourse, some of such concepts are main, accepted and known, while others are hidden, bad and embodied concepts that are the most important challenges on which the hidden dimensions of inventive writing. The genre (type) of dimension is equivalent to the genre of messages and letters when it relies on itself, and is expressions are part of the master's thesis (Hidden Cultural System in Nzar Qabany Poems) and we have used them here as part of the extract that should not be separated from the general section.